2011年1月24日，离2011年大年三十还有十天，在广东肇庆打工的汪正年与妻子彭双芹忙着整理带回贵州老家的行李，火车票、汽车票太贵又难买，他们无奈决定加入“十万摩托大军”队伍，同行的还有刚学会骑摩托的堂哥汪长军夫妻和十年没回过老家的姐夫鲁朝军。5个人，3辆摩托车，1350公里，5天四夜。这是一个关于回家的故事，在他们的心里，回家过年比什么都重要。 　　http://site.douban.com/widget/photos/5467525/photo/1270590013/

When the film West Side Story was released in 1961, New York's reviled Puerto Rican community gained some visibility and, over time, both in Spanish Harlem and the Bronx, neighborhoods plagued by poverty, drugs and crime, Hispanic identity was reborn and strengthened, thanks to a syncretic and intentionally popular music that eventually conquered the entire city.

Kim Seok Joo (Kim Myung Min) is a cold, calculating lawyer who is vying to become successful at all costs. After a fateful accident causes him to lose his memory, Kim Seok Joo must rediscover who he is as a person and choose whether he will fight for justice or fall back into his old ways. Before the accident, he was engaged to the only grandchild of a wealthy family, Yoo Jung Sun (Chae Jung Ahn), but with no memory of her, he begins to fall for Lee Ji Yoon (Park Min Young), an idealistic intern at his law firm. As he regains his memories, will his heart choose new love or old greed?

A behind the scenes look at the making of the classic film, featuring royal interviews with both cast and crew.

After his wife leaves him, Charles begins to assume the identities of strangers at a local coffee shop to avoid being alone.

Steve Giardino, an abrasive workaholic Wall Streeter, and his wife Jackie divorce after twenty-six years of marriage and find themselves thrust back into the dating world in middle age and in search of a new life.

Three men who have been taken to the compulsory labour under the Japanese colonialism turn back to their hometown, a fishing village. They break the injustice and corrupt customs and rebuild the devastated village with the help of the village girls.

Sarah, 30, single, well educated, likes art, places a voice ad for phone sex, inviting replies from men under 35, sturdy and sensual. Wilbert, a chubby middle aged architect, leaves a message that he is Thomas, 32 and well formed. A week later, she phones. She likes his voice, he likes her laugh, so once a week she phones him (he's not to know her last name, where she lives, or her number). Portraits emerge of humor and sadness. He presses for details of her life and tells her about his work; she wants these Thursday calls to be fantasy and release, separate from the rest of who she is. The film dramatizes these tensions of lies and truth, connection and distance. Written by

Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.

Three thirtysomething chemical scientists, Laci, Gyuri and Kati celebrate the success of their development program before New Year's Eve with drinking for several days. But the morning of New Year's Eve does not bring the expected recognition, because the nice, bald, old director is replaced by a young, bald, but disagreeable one. In a sodden atmosphere it becomes clear that everybody has an axe to grind in the informative discussions.